| "One of the most gifted and more musically intelligent of all the early music groups currently before the public" | ||
| Musical Opinion | |||
" the members of The Musicke Companye have conquered the hearts of the St. Mark's Festival audience, giving a concert that will surely remain one of the Festival's highlights" | |||
| Jutarnji List, Zagreb |
"Paul Esswood is surely the counter-tenor all Handelians have been searching for" | ||
| The Listener |
"The continuo playing is a delight - a wiry bass line from the cello of Jennifer Janse and stylish realisations from Helen Rogers who also dashes off a fluent account of 'The Harmonious Blacksmith" |
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| Early Music News | |||
"the harpsichordist Helen Rogers and cellist Jennifer Janse were at one with the singers" | |||
| Hallands Nyheter, Sweden |
"Jennifer Janse plunged herself passionately into the waves of Vivaldi's A minor sonata and J.S. Bach's G major Suite with the remarkable continuo support of Helen Rogers" | ||
| Jutarnji List, Zagreb |
| "I thought Philippa Hyde's singing outstanding - gorgeous tone, superb clarity and a lovely freshness of sound" | ||
| East Anglian Daily Times | |||
"Not only did she (Philippa Hyde) have a beguiling stage presence and pure vocal tone, but she was able to impart passion into the music." | |||
| Early Music Review |
"Paul Esswood sang with stylish conviction throughout and excelled with nicely judged ornamentation in his arias" | ||
| The Guardian |
"Esswood sings the love poems set to music by Dowland and Purcell with such sensitivity, and with such vocal beauty and flexibility, that hearing this record becomes an exciting pleasure" |
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| Alte Musik Aktuell, Germany |
"The resonant clarity of his genuine alto and musicianship were to be cheered" | ||
| San Francisco Chronicle |